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c. 1445 – May 17, 1510. Italian painter.

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RAFFAELLO Sanzio
Allegory (The Knight's Dream)

ID: 08721

RAFFAELLO Sanzio Allegory (The Knight's Dream)
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RAFFAELLO Sanzio Allegory (The Knight's Dream)


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RAFFAELLO Sanzio

Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Raffaello Angelo 1 | Christ | The virgin mary | Academy | St Michael and the Satan |
Related Artists:
Herbert William Weekes
Herbert William Weekes (fl. 1864 - 1904) was a well-known British genre and animal painter of the Victorian Neoclassical period who specialized in portraying animals in humorous, human-like situations. Weekes was born ca. 1842 in Pimlico, London, England to a prominent artistic family: the youngest of five children, his father, Henry Weekes, Sr. (1807 - 1877), was a sculptor and Royal Academician; his brother, Henry, Jr. (fl. 1850 - 1884), was also a genre painter known for his animal studies; and his brother, Frederick (1833 - 1920), was an artist and expert on medieval costume and design. Weekes appears to have used his middle name, William, for all but formal purposes. He lived and worked for most of his life in London, at 21 Oppidans Road, Primrose Hill. In 1865, he married Caroline Anne Henshaw (born ca. 1844), of Hammersmith. "Suspicion (ca. 1900)", oil-on-canvas "Fowl Talk", oil-on-canvas Weekes' signatureKnown as an animal and genre painter of the Victorian Neoclassical style, Weekes' work was popular, and helped expand 19th century animal painting from its traditional role of simply recording beasts into a way of reflecting human life. He frequently personified animals and placed them in situations particular to humans. His work shows a sensitive understanding of his subject matter, and part of his success in capturing the peaceful country atmosphere depicted in so many of his paintings lay in his affection for it. He was greatly influenced by one of the foremost animal painters of the nineteenth century, Sir Edwin Henry Landseer. Weekes contributed illustrations for The Illustrated London News in 1883, and exhibited extensively in various London and provincial galleries. His works were well received - although not by everyone: a contemporary wit described his paintings as eWeekes' Weak Squeakse.
Henri-Lucien Doucet
(1856-1895) was a French figure and portrait painter, born in Paris, where he studied under Lefebvre and Boulanger, and in 1880 won the Prix de Rome. His pictures are usually piquant, sparkling representations of modern life, eminently Parisian in style, but the audacious realism of his earlier work is not maintained in his later, which is somewhat characterless. His portraits in pastel are also notable. His most widely known picture is Apres le bal (After the Ball, 1889). Other excellent examples are the portraits of Celestine Galli-Marie as Carmen (1884, Marseille Museum), La princesse Mathilde Laetitia Wilhelmine Bonaparte and My Parents (1890, Lyons Museum), A Spanish Woman (Pontoise Museum), and Nude Figure (1890). He was awarded a first-class medal for pastel in 1889 and the Legion of Honour in 1891. His painting A Skating Party, of 1893, was exhibited at the Chicago World Fair or the World's Columbian Exposition, which was held from May to October 1893 in Chicago in honour of the 400th anniversary of Columbus' discovery of the New World. Goupil made a limited edition first impression photogravure of the painting.
CAVAZZOLA
(b. ca. 1486, Verona, d. 1522, Verona) Italian painter Italian painter..was an Italian painter of the Renaissance, active mainly in his hometown of Verona. He appears to have been a pupil of one of the brothers Morone, likely Francesco Morone






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